CRAZY IN JEWELLERY IN CRAZY TANKS

王禾昭，中国/深圳

Wang Hezhao—Shenzhen, China

作者介绍

个人介绍（中文）设计师、独立策展人、跨领域艺术实践者，2015年硕士毕业于慕尼黑工业大学景观建筑学专业。同济大学深圳未来需求实验室NEEDS Lab创新合伙人，曾任盈致未来文创和高北十六创意园创意总监和社区共创发起人。 2017-2022期间主持高北十六创意园项目的老旧工业园区低成本微更新项目的策划和设计以及围绕场所激活和社区营造的文化和创新内容的策划、设计和落地呈现。主持虫洞市集、湾区青年风尚季、街区创意计划等多个展览和活动，整合文化主题策划-场景叙事创意-快闪空间设计和事件设计的全流程创意呈现。 主持完成创造大学、6号研究员吉祥物形象，铭基金品牌形象和吉祥物，虫洞市集，榕树音乐会，街区创意计划等项目的品牌、视觉和空间设计。 2017年策划组织深双“城市与未来”主论坛，2018年发起城市共绘工作坊。2020年联合发起临时关系艺术团体和系列共创行动，2021年发起和策展上海艺仓美术馆“临时怪人”游牧式艺术展在上海TX淮海展出，与侯颖共同创作的展览海报在中华艺术宫“2021上海设计邀请展“展出。 2022年深双，作为 “疯狂的首饰”专题展策展人和主持设计师，完成啤酒厂工业遗存设备的展览装置改造设计。

个人介绍（英文）Designer, Independent Curator and Cross field Art Practitioner. Master of Landscape Architecture, Technical University of Munich, Innovative Partner of Shenzhen NEEDS Lab, Tongji University. He used to be the Creative Director of INTO FUTURE and BLOCK SIXTEEN Creative Park and Community Co-Creation Promotor. During 2017-2022, as both planner and designer, he presided over the BLOCK SIXTEEN Creative Park，an old industrial park low-cost micro renewal project, as well as the planning, design and presentation of cultural and innovative content revolves around the site activation and place making of BLOCK SIXTEEN. He also presided over exhibition and activity projects：Dimension Market, BAY youth Festival, and Co-Creation Community, and integrated the whole process of cultural theme planning – narrative environments – Pop Up space design and event design. As Chief Designer，He completed the brand design of Creaversity Platform; mascot design of “6th Creator”; brand design and mascot of Ming Foundation; graphic design, brand design and space design of Dimension Market, Banyan Concert and Co-Creation Community. In 2017, he organized the UABB “Architecture as Media · Transforming the City” main forum. In 2018, he initiated “City Co-Drawing” Workshop. In 2020, as co-founder, he initiated the “Temporary Relationship” art group and co-creation workshop series; and in 2021, as curator and artist，initiated the “temporary FREAK” nomadic art exhibition at TX Huaihai in cooperation with the Modern Art Museum Shanghai, the Posters created with Ying HOU together was exhibited in the "2021 Shanghai Design Invitational Exhibition Field Poster" at the China Art Museum in Shanghai. In 2022, as curator and chief designer of the special exhibition “Crazy in Jewellery" in the 9th UABB，he completed the design of recycling and transformation of the “Brewery Tanks”- the industrial heritage equipment of the original Kinway Brewery, and return the equipment to the original Factory space as an exhibition device. Through the curation and sustainable design concept, the vitality of the industrial heritage space will be regenerated.

作品名称：疯狂的罐子——疯狂的首饰展览设计（CRAZY IN JEWELLERY IN CRAZY TANKS）

作品介绍

「疯狂的罐子」是第九届深港双年展即地制造板块「疯狂的首饰」专题展的展览设计。其中包含了将原金威啤酒厂过滤车间的酿造罐子和管道等设备进行回收改造的一组展览装置设计；展览装置回归原厂车间，与场地结合成新展厅的空间设计； 将啤酒厂罐子和首饰主题整合到一起的展览视觉和信息系统设计；用改造剩余零件制造的灯具和配饰的工遗主题物件设计；围绕可持续理念创作的深双城市生息主题胸针和疯狂的罐子主题胸针等配饰设计；以及展中展讲述装置改造前的历史故事。 策展和设计在装置的改造和展览中高度整合，从对于深圳的首饰产业的未来发展的关注和珠宝首饰设计中面向未来的、前沿创新的视角出发，结合到生活方式和在地文脉等元素。以“疯狂”为核心理念，延展出“无序性”和“侵入性”的设计逻辑，希望在展览设计中创造和呈现更强的实验性、探索性和活力。 展览设计希望用一个完整复合的创意行动，通过设备的回收改造和包含了装置、空间、视觉、体验和物件的复合设计手法，在新创造的展览和文化语境下，将啤酒厂遗留下来的设备罐子的未来活力激发到一个尽可能高的程度，让较小的首饰和可穿戴物等实物展品和大量的文献、影像、视频、书籍等内容形成整体性的观展体验。

"Crazy Tanks" is the exhibition design for the "CRAZY IN JEWELLERY" special exhibition of the “Making on Site” Sector of the 9th UABB. It includes a set of exhibition designs that recycles or reuses brewing tanks and pipes and other equipment from the former Kingway Brewery's filtration shop; the exhibition equipment is returned to the original workshop and combined with the site to form the space design of the new exhibition hall; a visual and information system design that integrates brewery tanks and the theme of jewelry; an industrial heritage themed design of lamps and accessories made from the leftover parts of the transformation; an accessory that revolves around the concept of sustainability of UABB and the crazy tanks theme; and an exhibition-within-an-exhibition that tells the story of the history of the Tanks before its transformation. The curation and design are highly integrated in the renovation of the installation and the exhibition, from the concern for the future development of Shenzhen's jewelry industry and the future-oriented, cutting-edge and innovative perspective of jewelry design, combined with elements of lifestyle and local cultural heritage. With "crazy" as the core concept, the design logic of "disorder" and "intrusiveness" is extended, hoping to create and present stronger experimentation, exploration and vitality in the design. The design hopes to stimulate the future vitality of the brewery's legacy equipment tanks to the highest possible degree in a newly created exhibition and cultural context, through a complete composite creative action of equipment recycling and a composite design approach that encompasses installation, space, visuals, experiences, and objects, so that physical exhibits such as smaller jewelry and wearables and a large number of documents, images, videos, books and other contents can form a holistic viewing experience.

"Crazy Tanks" is the exhibition design for the "CRAZY IN JEWELLERY" special exhibition of the “Making on Site”Sector of the 9th UABB. It includes a set of exhibition installation design that recycles brewing tanks and pipes and other equipment from the former Kingway Brewery's filtration shop; a spatial design that combines the exhibition installation back to the original workshop and combines it with the venue to form a new exhibition hall; an exhibition visual and information system design that integrates the themes of brewery tanks and jewelry; an industrial heritage themed object design of lamp and accessory like sceptre made from the leftover parts of the transformation; an accessory design that revolves around the concept of sustainability of UABB and the crazy tanks theme; and an exhibition-within-an-exhibition that tells the story of the history of the Tanks before its transformation. The curation and design are highly integrated in the renovation of the installation and the exhibition, from the concern for the future development of Shenzhen's jewelry industry and the future-oriented, cutting-edge and innovative perspective of jewelry design, combined with elements of lifestyle and local cultural heritage. With "crazy" as the core concept, the design logic of "disorder" and "intrusiveness" is extended, hoping to create and present a stronger experimentation, exploration and vitality in the exhibition design. The exhibition design hopes to stimulate the future vitality of the brewery's legacy equipment tanks to the highest possible degree in a newly created exhibition and cultural context, through a complete composite creative action of equipment recycling and a composite design approach that encompasses installation, space, visuals, experiences, and objects. The exhibition is a holistic viewing experience.